- Title
- Re-viewing history through sound - fact or fiction?
- Creator
- English, Helen
- Relation
- New Zealand Musicological Society and the Musicological Society of Australia Joint Conference. re-visions: New Zealand Musicological Society and the Musicological Society of Australia Joint Conference (Dunedin, NZ 2-4 December, 2010) p. 231-237
- Relation
- http://www.msa.org.au/Main.asp?_=Conference%20Archive
- Publisher
- New Zealand Music Industry Centre
- Resource Type
- conference paper
- Date
- 2013
- Description
- The 20th century philosopher Paul Ricoeur said: “conflict is a function of man’s most primordial constitution”. (1986, 132) This conflict – between one’s self and one’s others, between character and personality, between feelings and thinking makes us restless and in our restlessness we are driven to create a history for ourselves. The topic of this paper is the validity of soundscapes that draw on history and whose purpose is to project a specific time and place – a temporality. This is a rich topic, which can be broken down into a number of key areas. For the purposes of this paper I will look at the following key areas: Narrative, Phenomenology, History and Memory and Representation through technology.
- Subject
- soundscapes; history; sound; temporality; narrative; phenomenology; memory; representation through technology
- Identifier
- http://hdl.handle.net/1959.13/1308671
- Identifier
- uon:21695
- Identifier
- ISBN:9780473242213
- Language
- eng
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